Three Guineas by Virginia Woоlf

By the end of the twentieth century, Virginia Woolf had become an iconic figure, a touchstone for the feminism that revived in the 1960s as well as for the conservative backlash of the 1980s.

Hailed by many as a radical writer of genius, she has also been dismissed as a narrowly focused snob. Her image adorns T-shirts, postcards, and even a beer advertisement, while phrases from her writings occur in all kinds of contexts, from peace-march slogans to highbrow book reviews.

That Woolf is one of those figures upon whom the myriad competing narratives of twentieth- and twenty-first-century Western culture inscribe themselves is testified to by the enormous number of biographical works about her published in the decades since her nephew Quentin Bell broke the ground in 1972 with his two-volume biography of his aunt.

Argument continues about the work and life of Virginia Woolf: about her experience of incest, her madness, her class attitudes, her sexuality, the difficulty of her prose, her politics, her feminism, and her legacy.

Perhaps, though, these words from her essay “How Should One Read a Book?” are our best guide: “The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions.”

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